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F Lydian Mode Scale Diagram
Key to Symbols


F Lydian Mode Scale Diagram

Guitar Lesson Summary & Chart Explanation

F Lydian Mode:

Notes:
  • F G A B C D E
Scale Degrees:
  • 1 2 3 #4 5 6 7
Alternative Names:
Mode of Major: IV

Mode of Minor: bVI

Jay Skyler's Series 2 guitar neck fretboard diagram of Lydian Mode. The only mode with a sharp in it (the sharp 4), Lydian Mode is the fourth mode of Major (Ionian) and the 6th mode of Minor (Aeolian). It is in the Major family of chord and scale qualities.

The O.G. Diatonic Mode

The Lydian Mode is the original mode used by Catholic Monks (hence the name Church Mode), and is responsible for the bulk of the Gregorian Chant #1 hits and double platinum albums in the pre-Renaissance Era.

More importantly it is the master mode from which the other modes derive.

The Devils Tone

Many websites and even some method books claim the Ionian mode (Major Scale) was the original master scale and all the other modes are derived from it. This is not true. The original mode was the Lydian mode (aka Lydian Major Scale), the Major scale was formed by flatting the fourth note of the Lydian, because it was difficult to harmonize (so frustrating they nicknamed it 'the devils tone').

In terms of modern music theory, however, the numbering system of scale degrees and chords is based, by convention, on the Major Scale.

References

Aebersold, Jamey, and Jamey Aebersold Jazz. How to Play Jazz and Improvise. V. 1 V. 1. New Albany, IN: Jamey Aebersold Jazz, 1992.
Bay, William. Mel Bays Complete Book of Guitar Chords, Scales and Arpeggios. Pacific, Mo: M. Bay, 1992.
Be dangerous on rock guitar. Port Chester: Cherry Lane, 1984.
Berle, Arnie, and Ronnie Ball. Chords & Progressions for Jazz & Popular Guitar. New York: Amsco Publications: Exclusive distributor, Music Sales Corp, 1986.
Damian, Jon, and Jonathan Feist. The Guitarists Guide to Composing and Improvising. Workshop / Berklee Press. Boston, MA: Milwaukee, Wis: Berklee Press; Distributed by H. Leonard Corp, 2001.
Jamey Aebersold. Major & Minor. [S.l.]: Jamey Aebersold.
Latarski, Don. Arpeggios for Guitar: A New Approach to Arpeggios and Their Relationship to Chords and Scales, for the Rock, Blues and Jazz Guitarist. Van Nuys, CA.: Alfred, 1990.
Latarski, Don Practical Theory for Guitar. Miami, Fla.: Warner Bros. Publications, 1993.
Nothiin [sic] but blues for all musicians play-a-long book and stereo CD set. New Albany: Jamey Aebersold Jazz.
Perricone, Jack. Melody in Songwriting: Tools and Techniques for Writing Hit Songs. Berklee Guide. Boston, MA: Milwaukee, Wis: Berklee Press; Distributed by Hal Leonard, 2000.
Roth, Arlen. Hot Guitar. San Francisco: Emeryville, CA: Milwaukee, WI: Miller Freeman Books; Distributed to the book trade in the U.S. and Canada by Publishers Group West; Distributed to the music trade in the U.S. and Canada by Hal Leonard Pub, 1996.
Scales & Modes in the Beginning: Created Especially for Guitarists. Fullerton, CA; Winona, MN: Centerstream Publications; Exclusively distributed by Hal Leonard Pub. Corp., 1982.
Shearer, Aaron. Learning the Classic Guitar. Pacific, MO: Mel Bay, 1990.
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