Jay Skyler Guitar Lessons San Francisco classic rock style text logo Guitar Lessons SF: Guitar Chord and Scale Charts

Important note on scale fingerings:

These scale fingerings may not be appropriate for your hand position on the guitar neck. If you are taking lessons from a competent guitar teacher, please ask them if they are consistent with the method you are learning. Most guitar teachers will talk your ear off with their view of proper guitar technique.

If you have studied guitar with me, go nuts. If you are studying guitar independently please read on.

These are my New American Guitar Method™ Fingerings

These are the fingerings consistent with the principles of my New American Guitar Method.™ They will also work famously with traditional Blues technique , and are perfect for any thumb over the top style. The goal here is tho keep the wrist in position so you can execute the bends, vibratos, etc. at at time at any velocity.

These are not the only possible fingerings for thumb over the top players!

They are the ones I have found that have been most effective for both myself and my guitar students. If your fingerings differ slightly, but you can shred these scales effortlessly and execute the bends, vibratos, etc. seamlessly, stick with them.

Don't practice multiple fingerings!

To your eyes and ears they maybe the same but to your fingers they are completely different scales! You cut your practice efficiency dramatically "taste testing" too many different fingerings.

This is the obvious advantage of having a teacher.

NEVER BE AFRAID TO ASK YOUR TEACHER WHY A SCALE SHOULD BE FINGERED A CERTAIN WAY IF IT SEEMS REALLY WRONG TO YOUR HAND.

These Guitar Scale Fingering Charts Were Not Designed for Thumb behind the neck players

If you are playing with Classical Guitar technique any variation of the thumb behind the neck technique , (that includes the majority of you '80's influenced neoclassical shredder guys.) these may not be optimal. In thumb behind the neck styles the second finger sets the hand position. If you are looking for fingering diagrams online look for one where the second and third fingers stay in the same frets for the entirety of the pattern. If these work for you, great. But I have designed them specifically for thumb over the top players.

References

Aebersold, Jamey, and Jamey Aebersold Jazz. How to Play Jazz and Improvise. V. 1 V. 1. New Albany, IN: Jamey Aebersold Jazz, 1992.
Bay, William. Mel Bays Complete Book of Guitar Chords, Scales and Arpeggios. Pacific, Mo: M. Bay, 1992.
Be dangerous on rock guitar. Port Chester: Cherry Lane, 1984.
Berle, Arnie, and Ronnie Ball. Chords & Progressions for Jazz & Popular Guitar. New York: Amsco Publications: Exclusive distributor, Music Sales Corp, 1986.
Damian, Jon, and Jonathan Feist. The Guitarists Guide to Composing and Improvising. Workshop / Berklee Press. Boston, MA: Milwaukee, Wis: Berklee Press; Distributed by H. Leonard Corp, 2001.
Jamey Aebersold. Major & Minor. [S.l.]: Jamey Aebersold.
Latarski, Don. Arpeggios for Guitar: A New Approach to Arpeggios and Their Relationship to Chords and Scales, for the Rock, Blues and Jazz Guitarist. Van Nuys, CA.: Alfred, 1990.
Latarski, Don Practical Theory for Guitar. Miami, Fla.: Warner Bros. Publications, 1993.
Nothiin [sic] but blues for all musicians play-a-long book and stereo CD set. New Albany: Jamey Aebersold Jazz.
Perricone, Jack. Melody in Songwriting: Tools and Techniques for Writing Hit Songs. Berklee Guide. Boston, MA: Milwaukee, Wis: Berklee Press; Distributed by Hal Leonard, 2000.
Roth, Arlen. Hot Guitar. San Francisco: Emeryville, CA: Milwaukee, WI: Miller Freeman Books; Distributed to the book trade in the U.S. and Canada by Publishers Group West; Distributed to the music trade in the U.S. and Canada by Hal Leonard Pub, 1996.
Scales & Modes in the Beginning: Created Especially for Guitarists. Fullerton, CA; Winona, MN: Centerstream Publications; Exclusively distributed by Hal Leonard Pub. Corp., 1982.
Shearer, Aaron. Learning the Classic Guitar. Pacific, MO: Mel Bay, 1990.
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